newton mk248 i detta stora,myckrt avabcerade faryck cisaac newton ar fullt upptgen med att eatisera universum med bjalp av en passare. blake bar delat upp bakgrunden i en ljus ocb en mork del ovb vill darmed antyda att den store matematikern ovb fysikern inte astadkom upplysning utan en gudlos andlos natt. blake trodde att endast konstnarer bade formagn till gudomlig insikt ocb attsjalen alltid kampade for att befria sig fran fornuftetes ocb den org aniserase religionens bojor.
Nebuchadnezzar 1795 Copper engraving with pen and ink and watercolour, 446 x 620 mm Tate Gallery, London Blake produced in the mid-1790s a series of large colour prints on themes of oppression, one of which is Nebuchadnezzar. This plate depicts the animal state to which man had been reduced after the Fall, so vividly personified in the crouching form and sullen stare of his Nebuchadnezzar. Author: BLAKE, William Title: Nebuchadnezzar Form: graphics , 1751-1800 , English , other
The Descent of Christ Pintura identificación:: 62540
The Descent of Christ 1804-20 Etching with pen, watercolour and gold, 219 x 159 mm Yale Center for British Art, New Haven This is Plate 35 of the illustrated poem Jerusalem. In this early page of Jerusalem, the sleeping Albion is visited by Christ, who awakens his dormant desire for salvation. Though Albion is not yet conscious of Christ's sacrifice, its promise is foreshadowed by the new body that begins to emerge from his breast. Author: BLAKE, William Title: The Descent of Christ Form: graphics , 1751-1800 , English , religious
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China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas